As a Halloween enthusiast, you might assume that I really like horror movies … I don’t.
Plot twist: I’m not.
Blood, guts, and excessive gore? Hard pass. Movies like “Saw” and its many splattery sequels aren’t for me. I’ve also never been particularly scared of monsters, witches or zombies. Why? Because they’re fictional — and often so over-the-top that they feel more like fantasy than fear.
If you’re a fan of horror anthologies, you may have come across Stephen King’s “Nightmares and Dreamscapes,” the 2006 TNT miniseries based on King’s short stories. While the show delivers a few compelling moments, it doesn’t quite reach the chilling heights of Showtime’s edgier “Masters of Horror” series.
One of the standout episodes from “Nightmares and Dreamscapes” is “The End of the Whole Mess,” a haunting tale about a genius who creates a serum to end human aggression — only to trigger a global catastrophe. Another worth-watching installment is “Autopsy Room Four,” featuring Richard Thomas (John-Boy from “The Waltons”) in a role that’s a far cry from his wholesome TV past.
Have you ever locked eyes with a porcelain doll on a shelf and instantly felt a chill crawl up your spine? If so, you’re not alone — and horror icon Stephen King would probably agree with you. Dolls have long been the stuff of nightmares in King’s world, from murderous clowns to animated Army men with a vendetta.
King’s fear of dolls is well-documented across his work. In “Poltergeist,” which he helped write for the screen, a young boy’s fear of a clown doll turns disturbingly real when the toy attacks. In “The X-Files,” King penned an episode centered around a haunted doll, and one of the darkest vignettes in his “Nightmares and Dreamscapes” series features actor William Hurt being hunted by vindictive toys — tiny green Army men that eventually bring about his demise.
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