All posts filed under: FILMS

A story about unidentified and unexplained sightings in Mississippi when the X Files movie came out.

Mississippi UFO sightings reveal strange lights, triangles, and more — what’s really out there?

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When we asked readers about their UFO experiences, many shared anonymous stories, fearing ridicule despite their credibility.

One radio reporter recalled seeing a mysterious light in Gautier that moved rapidly, then hovered motionless before darting away. Another witness, stationed on a German Air Force base in 1973, described a silent, brightly lit triangular craft crossing the sky in minutes — clearly not man-made.

A poster for the movie "Sea Monsters."

Sea Monsters and Childhood Mysteries: National Geographic’s new film dives into prehistoric legends

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“National Geographic’s” new film “Sea Monsters” is making waves — just not in Mississippi. Funded in part by a grant from the National Science Foundation, the film dives deep into the prehistoric oceans that once covered North America, exploring ancient creatures believed to have inspired legends like the Loch Ness Monster.

Roughly 80 million years ago, areas like Kansas were submerged beneath a vast inland sea, where giant marine reptiles roamed. The movie blends scientific discovery with legend, shedding light on the real-life creatures behind age-old myths. For anyone who grew up fascinated by dinosaurs or sea serpents, this one might stir up some serious nostalgia.

A picture of the colorful universe of stars.

Why Science Fans Should Watch NOVA’s ‘The Elegant Universe:’ A fascinating dive Into Einstein, physics, and the power of discovery

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Science lovers and curious minds alike will find “The Elegant Universe,” part of the acclaimed NOVA series, to be a captivating and enlightening experience. The documentary does an incredible job of breaking down some of the most complex theories in physics, making them not only understandable but genuinely fascinating.

One of the highlights is how the series traces the development of Einstein’s iconic equation, E = MC². Rather than presenting him as a lone genius, the film honors the many scientists — both men and women — who laid the groundwork for his breakthroughs. It’s refreshing to see the contributions of women in science acknowledged and celebrated.

A turtle swims in the blue ocean.

Why ‘Deep Sea IMAX’ is a must-watch for ocean lovers and marine life fans

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“Deep Sea IMAX” is a breathtaking underwater documentary so vividly filmed and full of personality that it feels like a real-life prequel to “Finding Nemo.” With its dazzling visuals and captivating marine cast, the film brings the ocean’s wonders to life in a way that’s both educational and entertaining.

Narrated by Johnny Depp and Kate Winslet, the documentary is a perfect pick for anyone fascinated by marine biology or eager to discover strange and beautiful sea creatures. From vividly colored fish to otherworldly invertebrates, the film showcases the deep sea as a vibrant, living world few ever get to see.

The film poster for "Idiocracy."

‘Idiocracy’ Review: A darkly funny look at a future overrun by stupidity

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In “Idiocracy,” an offbeat sci-fi satire from “Beavis and Butt-Head” creator Mike Judge, two ordinary people (played by Maya Rudolph and Luke Wilson) are chosen for a government time travel experiment. But things go hilariously wrong, and they wake up in the year 2505 — where intelligence is practically extinct.

In this dystopian future, society has been overrun by people who made their way to the gene pool without much thought — think Jerry Springer guests en masse. Smart individuals, who often delayed or debated having children, have been far outnumbered. As a result, the “average” time travelers are now the smartest humans alive.

The film poster or "Marie Antoinette."

‘Marie Antoinette’ Review: Sofia Coppola’s stylish biopic lacks substance and struggle

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Sofia Coppola’s “Marie Antoinette” dazzles visually but falls flat emotionally, revealing the limitations of a film that leans too heavily on aesthetics without delivering the depth of its subject. The cinematography is breathtaking, the costumes extravagant, and the French landscapes mesmerizing — but the film feels more like a designer photo shoot than a compelling historical drama.

Starring Kirsten Dunst as the ill-fated young queen, the film attempts to modernize Marie’s teenage angst by layering a rebellious rock soundtrack over 18th-century decadence. The concept — bold and trendy on paper — ultimately feels gimmicky. Rather than enhancing the storytelling, it distances the audience and feels more like a marketing strategy aimed at Gen Z than an artistic choice.

An image of a creepy doll.

Creepy dolls, Stephen King, and the artist who brings nightmares to life

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Have you ever locked eyes with a porcelain doll on a shelf and instantly felt a chill crawl up your spine? If so, you’re not alone — and horror icon Stephen King would probably agree with you. Dolls have long been the stuff of nightmares in King’s world, from murderous clowns to animated Army men with a vendetta.

King’s fear of dolls is well-documented across his work. In “Poltergeist,” which he helped write for the screen, a young boy’s fear of a clown doll turns disturbingly real when the toy attacks. In “The X-Files,” King penned an episode centered around a haunted doll, and one of the darkest vignettes in his “Nightmares and Dreamscapes” series features actor William Hurt being hunted by vindictive toys — tiny green Army men that eventually bring about his demise.

An eyeball with a reflection of horror.

Film Review: ‘Don’t Look Now’ should be heeded by viewers

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If I had watched this “psychic thriller” in 1973, (which would have been difficult since I was born in 1974) I probably would have found it eerie and disturbing, but 30 years later, it just doesn’t have much impact.

It’s about a couple, John and Laura Baxter, whose young daughter drowns in a pond at their home. They later go to Venice, where Laura (Julie Christie) meets a psychic who tells her she has seen her daughter and that she is happy. John (Donald Sutherland) also begins to see someone resembling the daughter running around the city, so he follows her, which proves to be a very bad decision.

The revival of bold wallpaper.

Retro Revival: Bold wallpaper trends bring the ’70s back in style

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Remember the 1980s trend where every other house had wallpaper borders running along the tops of walls? Whether it was apples, country ducks, hunting dogs, or (yes) drunk roller-skating clowns, you couldn’t walk into a home without seeing some kind of whimsical or cheesy print staring back at you.

What you may not know is that wallpaper — and especially those quirky borders — quietly disappeared in the 1990s when sleek, modern decorators declared war on anything that wasn’t a smooth, painted wall. For years, “updated” meant stripping down to neutral colors and bare surfaces. But as with many things in design, what goes out of style always finds a way to come back.

A spooky picture of a ghost lady.

A Psychological Thriller Rooted in Folklore: ‘An American Haunting’ and the Bell Witch legend

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Intrigued by the notion that someone had created a horror film based on the Southern ghost story of the Bell Witch — a tale I’ve heard whispers of growing up near Tennessee — I recently rented “An American Haunting” hoping to uncover more about this mysterious legend. To my surprise, the film is one of the few horror movies I’ve seen that explores supernatural torment and possession through the lens of psychological trauma.

Set in early 1800s Tennessee, the movie tells the haunting story of young Betsy Bell, a once-lively, flirtatious teenager who abruptly transforms into a withdrawn, exhausted version of herself. She confesses to her teacher that she’s unable to sleep, haunted by a terrifying presence that visits her at night. Her sudden decline sets off a series of terrifying events.

The movie poster for "The Texas Chainsaw Massacre."

The Real Horror Behind Leatherface: Revisiting ‘The Texas Chainsaw Massacre’

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I hadn’t seen “The Texas Chainsaw Massacre” since the 1980s, when I first watched it at my cousin, Pam’s, house. She was a big Halloween fan, but I was still too young (and too scared) to handle the film’s chaotic terror. I remember leaving her house early that night, practically running home to my mama.

Fast-forward to last night when I caught the film on FUSE. It didn’t seem quite as frightening this time around — probably because I’ve seen far more horror movies since — but for anyone unfamiliar with the genre, “Chainsaw” still has the potential to scare the leggings off you.

The poster for the film "Persona."

Exploring Identity and the Mind in Bergman’s Persona

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LaReeca Rucker I rented the 1967 film “Persona” after reading multiple articles that referenced it in connection with other psychologically complex films. Since I had recently watched David Lynch’s surreal, open-ended “Mulholland Drive,” it seemed like the right time to give Ingmar Bergman’s classic a try. The two films share some intriguing similarities — most notably, their exploration of the psychological bond and blurred identities between two women. “Persona” focuses on a nurse and her patient, whose personalities begin to merge in strange and unsettling ways. It’s an intense, cerebral dive into identity, silence, and emotional trauma. If I hadn’t already seen some of Roman Polanski’s earlier films, like “Repulsion,” I might have been more shaken by “Persona.” But “Repulsion” — another raw, disturbing examination of the female psyche — had already prepped me to expect a certain level of intensity from 1960s European psychological cinema. Still, “Persona” is a strong example of how film can probe corners of the mind that most movies never attempt to reach. Its experimental feel and avant-garde cinematography are …